Tag

Photography

Browsing

My children are all grown up and all of them live away from me, so every time they come to visit, I always try to think of what they will enjoy eating during their stay. One of my sons loves chocolate cake, so this particular treat is the welcome home dish that I currently have in the oven, ahead of his next arrival. It looks so beautiful that I couldn’t resist picking up the camera – and subsequently came the idea of sharing the recipe with you too.

Before I began to bake, many years ago now, we would often order from a friend of ours who used to bake from her home in Chennai too. Hers was one of the most fantastic chocolate cakes we had ever tasted, and it remains the benchmark for us all. It served as my inspiration too, when I became a baker myself.

Creating this recipe of my own was the result of many trials, exploring recipes from across cookbooks and the Internet, tweaking them based on my taste and my experience. Eventually, I formed a chocolate cake recipe that hit the spot, and became a personal benchmark. While my almond cakes are the most popular among customers (hyperlink), it’s this chocolate cake that is my own family’s favourite.

When I think about the experiments that lead toward this recipe, and indeed many others, I feel grateful for my blogger and Instagram friends and the accounts I have followed over the years who inspired me – both in terms of food and in terms of photography.

But there are many things that I have been contemplating lately about the world of food blogging and how it is changing. Now that re:store’s own online presence is over seven years old, I am able to observe and comment on the vast shifts that have taken place in this time and I wonder about what is still to come. For instance – many of the people whose work I used to look forward to no longer post, or sometimes have even disappeared altogether. Even though new bloggers have come up, some equally fantastic, there was a sense of community in the past that is less experienced today. It all feels different now, both as a creator and as someone who enjoys the content. I wonder if you feel similarly, or if you have other thoughts?

Then, there is the dominance of reels. Food photography as a genre is dwindling, and to be honest I don’t see the kind of aesthetic that I used to love exploring online and which challenged me to keep growing as a photographer too. While I respect reels as their own format, they are not for me. Even as photography loses popularity, I pick up my camera time and again because it is an artform that I am passionate about, and because in certain ways I would define myself as being old school – especially in the sense that I believe that if the going is good, keep going.

The going is good, so to speak, when it comes to photography. I am just as enthused and as inspired as ever as a photographer, and some of you may know that my explorations in this medium go beyond shooting for this blog. I also work with still life and nature themes, and I’ve been fortunate to have received gallery support for the same, and I sometimes accept commercial commissions too.

I still approach every kind of shoot with my old and faithful Nikon and the lenses I’ve used all these years, and remain perfectly happy with the outcomes. I don’t intend to go in for an upgrade because I know I don’t need to. Although I love finding new appliances for the kitchen, somehow with photography the tried and tested just works for me. I like to think that my not constantly seeking out new technology helps reduce my personal impact on landfills. None of us is perfect and none of us is going to avoid creating waste, but being mindful about our consumer choices is something that is in our hands.

And when it comes to something that is literally in my hands – my camera – I really don’t want to let go of the instrument that has brought me so much creativity and joy. I will also say that I sometimes feel disturbed when people say, “Oh your photographs are so nice – you must have a good camera”. I do, but there is so much more to this artform than just the device. Even as trends move away from it, I continue to learn and to grow within it.

So yes: the world, and not just the world of food blogging, is always changing – but we can have some constants, too. A decadent chocolate cake will almost without fail please anyone, for instance. In that sense, this is a timeless dish, and I hope you’ll enjoy my version of it.

Chocolate Cake

(Serves 5-6)

2 cups sugar
1¾ cups all-purpose flour
1 cup cocoa powder
1 teaspoon baking powder
2 teaspoons baking soda
1 teaspoon salt
2 eggs
1 cup buttermilk
1 cup hot water
1 tablespoon instant coffee
½ cup oil
1 teaspoon pure vanilla extract

Preheat oven to 170°. Prepare two 8’ cake tins by greasing, lining and dusting the pans.

Sift the flour, cocoa powder, baking soda, baking powder and salt – thus combining the dry ingredients. Add sugar.

Separately, add hot water to the coffee powder. Keep aside.

Using a hand blender, mix the eggs, vanilla extract, oil and buttermilk. You can make buttermilk at home by adding a tablespoon of white vinegar to a cup of room temperature milk, and allowing it to sit for 15 minutes before usage.

Add the dry ingredients to the wet ones and mix well.

Add the hot coffee to this mixture now. The batter will be a little runny. Avoid over beating.

Pour this batter into the two tins equally and bake for 30-35 minutes or until a skewer comes out clean. After the cakes sit for 15 minutes, turn them onto a tray and allow to cool completely. Decorate with chocolate icing.

If you’re new to all this and would like a little primer or refresher to the basics of baking, check out this citrus bundt recipe with lots of tips.

As I said earlier, this recipe is really the best one I know for the classic chocolate cake. I wonder how it will compare with ones you have made or tasted. I do hope you’ll enjoy it just as much as we do!

I am delighted to share that a selection of my photographs will be showcased at Apparao Galleries’ latest exhibition, entitled Garden of Eden. These photographs are from my still life series of dark and moody compositions that celebrate Indian brassware. If you are in Chennai, please visit Asvah 24 at 4/24, Beach Road, Sri Kapaleeswarar Nagar, Neelankarai between February 1st and February 3rd 2021 to enjoy the exhibition.

This is my second public exhibition, following the inclusion of my work at Apparao Galleries’ showcase at the IDINDIA2020 design fair in Okhla, Delhi. I couldn’t be happier with how Nandi Shah Photography is growing, and I am deeply grateful for your encouragement and support.

June is my birthday month, which means one word, and a very special one for re:store at that: CAKE! As I mentioned in an earlier post, my mother once attended a baking course at a catering institute in Chennai when my siblings and I were still in school. For an entire month, she’d bring home the most delectable samples. We couldn’t wait to get home and eat them! The smells and memories of that adventurous time when she started making all these new desserts for us are still with me, and a huge part of the inspiration behind re:store. During that course was when my mother had started to maintain a cherished notebook of baking recipes, which was gifted to me eventually. One of those recipes is what I’ve pulled out for you today – banana bread.

Growing up, I was not a great fan of the extremely nutritious banana, so this was a great way to make sure I ate it. Bananas have been proven to dramatically reduce the risk of heart disease, thanks to being packed with potassium. They improve the digestive system and are said to be beneficial for everything from asthma to weight loss. They are carb-rich, so they boost energy quickly. They are also naturally sweet, which means any dessert you put them in requires less sugar.

Lately I’ve been nostalgic about my growing years and it led me to dig out some old photos from back then. Here are two: an old studio portrait of my mother, who as you know inspires most of my work, and a shot of me from my teenage years by my dear friend Rags Raghavan, who has taught me a great deal about using the camera. Looking at the portrait of my mother, I feel grateful for how re:store has grown from my imagination into what it is today. My mother was in her 20s when it was taken and was about to be married. She went on to become my first, most important culinary mentor, and still is to this day. I remember days spent after school helping with chores in the kitchen; back then I didn’t realize the values I imbibed would be such an important part of me and my journey with re:store. Many of my cooking methods are identical to those of my mother’s kitchen. Grow your herbs yourself, never waste a morsel, always feed and care for staff, and a bunch of other values and tips. Even today, I pester my mother for traditional Gujarati recipes on my weekly visits, and she happily obliges.

Nowadays, I take so many photos digitally, carefully styling and selecting the best ones. Back then, we had manual cameras, with film rolls that had to be brought from abroad. You couldn’t edit those pictures, and you could not take so many either. My first film camera was a gift from my father-in-law, and my kids and family were my first subjects. I still have a soft spot for the old photography methods. They feel authentic to me in a way that I still try to replicate somehow in my modern shoots.

More than being commercially successful, what matters to me is that I am passionate about what I do. I enjoy styling my shoots so much. I am proud to say I work with pleasure!

Food and photography are two sides of re:store, and two big parts of my heart. So without further ado, here’s my birthday gift to you…

 

Birthday Banana Bread

(Yield: 1 loaf)

Ingredients

150 grams unsalted butter

200 grams sugar

3 eggs

110 ml buttermilk

3 bananas

1 teaspoon baking soda

½ teaspoon salt

¼ teaspoon cinnamon

350 grams flour

100 grams walnuts

 

Prepare a 10′ loaf tin, by buttering and dusting with flour.

Beat the butter and sugar until light and creamy. Add the eggs one at a time, beating well after every addition. Once the eggs have been blended well, add the bananas and buttermilk.

Sift the flour, baking soda, cinnamon and salt. Fold into the batter. Now add half the broken walnuts as well.

Using a spatula, blend the batter well once more, then spoon it all into the loaf tin.

Take the remaining finely chopped walnuts and sprinkle on top to decorate.

Bake for 45 minutes to an hour, until a skewer comes out clean when inserted.

Allow to cool and remove from tin. Slice and serve with a hot beverage of your preference.

I’ve chosen to share this banana bread recipe with you because while it’s a cake, it’s also one of the healthier desserts you can have. If, like me, you have an eye on your fitness, you certainly won’t feel like you’ve cheated on your diet plan. If you’re a fan of banana and looking for something slightly more decadent, try the deep-fried deliciousness of my banana-methi fritters!

I always think of the recipes on this blog as a gift for those who live far away from my kitchen – if you can’t treat yourself to one of my homemade cakes, you can at least try to make it yourself!

Standing at that quaint tea shop in Kolkata that early November morning, I realised that the city had been awake for hours. We were on a guided tour, and as we found ourselves there for our first cup of the day, I noticed how around us were people who had taken a pause during their work. All of us – locals and tourists, at leisure or on the job – were treating ourselves to a small terracotta or glass cup of warm chai. In just five minutes, I saw not only a classic street-style chai-making procedure, but faces from everywhere – each of them enjoying a rejuvenating sip of this quintessential beverage.

I couldn’t resist picking up my camera. I was so pleased that these men, for whom this particular stall is a routine, were happy not just to be photographed but also to chat! They say a cup of tea brings people together – and for a few minutes on a morning in Kolkata, that’s exactly what happened.

 

 

It was this man’s mashk – a goat-skin bag – that caught my eye. He sells water from it, at ₹10 a serving. He proudly told us that the neighbourhood we were in is colloquially known as Bheeshti Para, an homage to the traditional occupation of the water-carrier (known as “bheeshti”). He also shared that the etymology of “bheeshti” comes from the Persian word “bihisht”, which means “paradise”). How poetic – the water-bearer from paradise, bringing succour to the thirsty.

 

 

We also met this money-lender whose family is from Afghanistan – one of the many communities who settled in Kolkata, who have carried the trade on for generations. In fact, Afghani money-lenders were popularised in Rabindranath Tagore’s short story “Kabuliwala” (literally, “the man from Kabul”), which was also made into a number of films.

Kolkata is home to many such communities of foreign origin, who have enriched it. For instance, it is the only South Asian city with a Chinatown, thanks to several generations of people originally from China who have made it their home. There are also Anglo-Indians, Parsis and numerous other uniquely Indian cultures. And there I was, a Tamil Nadu-raised Gujarati, sipping from my terracotta cup too.

 

 

It’s always a pleasure for me to watch another culinary expert at work. Look at the precision of this chai-maker’s tea-pouring technique!

 

 

The street was abuzz with life that morning, as the fogginess gave way to bright sunlight. A recycling truck was passing by. Right next door to the tea stall was a food stall selling breakfast: pooris, pickles and savouries. Somewhere nearby, I am sure that the famed Bengali milk sweets were being made and sold too.

And how amazing is it that one morning I was drinking Bengali tea at a street-side stall in Kolkata, and the next morning I was back here in Coffeeland aka Chennai, a land famous for its filter coffee? I love my coffee anywhere in the world, but the moody monsoonal rain and my recent trip inspired me to recreate that hot, spiced tea here at home.

 

 

Masala Chai Powder

(Yield – approximately 100 grams)

Ingredients
¾ cup black pepper

½ cup cloves

3 tablespoons peeled cardamom

½ cup cinnamon sticks

1 tablespoon ginger powder

1 tablespoon pipramul powder

 

Tea is so quintessentially Indian that it’s easy to forget that it was actually introduced to India by the British. Originally from China, the tea shrub was found to grow well in hilly regions like Darjeeling and Assam, and closer to my home, in the Nilgiris. In fact, the word “chai” is from the Mandarin word “cha”.

I grew up watching masala chai powder batches being made for a year at a time during the hot summers.  This is what is now known as a Macrobiotic approach, making use of the logic of the seasons, in this case the heat. I have found that sun-drying makes the flavours bloom. But masala chai was originally had in the winters, as the herbs and spices had a warming effect – even roasting in the winter sun was sufficient, provided there was no rain.

If you’re trying this method on a warm day, roast all the ingredients except the ginger and pipramul powders in the sun. If you’re in a rainy or wintry season like I am right now, simply roast the ingredients (except the ginger and pipramul powders) on an iron pan for less than five minutes.

If you’re a fan of spices, the other ingredients will all be familiar to you, but if you’re wondering, pipramul is also known as Indian long pepper or ganthoda, and is a rhizoid similar to ginger. It aids digestion and helps with any kind of gastric trouble.

Once the ingredients have cooled, blend them into a powder. Add the ginger and pipramul powders and mix thoroughly. Store in an air-tight container.

If kept dry, you can use this powder for months at a time. It’s used only for chai and added into the boiling process of tea making, as is the Indian way.

My few minutes at that chai stall in Kolkata that morning made me ponder what a privilege it is to have tea at home, and not on the go while on the job. Tea is said to be a contemplative beverage, and is such a wonderful companion to both conversations with others and moments of musing alone. I’m contemplating the people I met that morning as I savour this cuppa. What’s on your mind today?

“Do you know a cure for me?”

“Why yes,” he said, “I know a cure for everything. Salt water.”

“Salt water?” I asked him.

“Yes,” he said, “in one way or the other. Sweat, or tears, or the salt sea.”

These words from Seven Gothic Tales, the first book by the Danish writer Isak Dinesen (best known for Out Of Africa), came to mind on that mirage-filled drive to Marakkanam in the South Indian summer heat. Anyone who has ever driven from the metropolitan hub of Chennai to the quaint former French colony of Pondicherry  along Tamil Nadu’s East Coast Road has noticed Marakkanam. Even if you do not know the village’s name, it’s impossible to miss the great heaped mounds of white salt glistening under the sun, lining the highway.

Salt. That condiment so precious to humankind that it has even been a form of wealth, measured at different times as either taxes or wages. The ancient Romans had a “salarium” (“sal” – “salt”), as part of a worker’s remuneration, as people were paid partly in salt. This is where the English language gets both the word “salary” and the idiom “worth his salt”. Closer to home, the monarchs of the Chola dynasty demanded a salt tax, known as “uppayam”. The historian Ramachandran Nagaswamy has spoken of epigraphic evidence showing how the same was paid from Marakkanam, making the salt industry in this village both an ancient and continuous activity. In modern Indian history, Gandhi’s salt march on March 12 1930 was a dramatic turning point in the independence struggle. In protest of the unfairly high British salt tax, he led the march from Dandi, Gujarat, to the Arabian Sea. There, he declared that a symbolic handful of sea salt would bring the end of colonial rule.

That afternoon, unlike so many journeys on that highway, I careened off the beaten path and entered the sprawling salt pans of Marakkanam to find out more….

Salt. The most quintessential of all ingredients. So quintessential that we take it for granted. So quintessential that its absence alone can strip a dish of all taste. Saltiness is one of the five basic human tastes.

I’ve said before that curiousity is the cornerstone of every interesting kitchen. But it cannot end simply with flavours and ingredients. When I trained in the culinary science of macrobiotics at the Kushi Institute, I honed this need to know and to ask questions, because every single thing you put into a dish carries its own energies and its own properties. So what does salt contain? The scientific answer is that it is a mineral which contains sodium chloride (NaCl). In Marakkanam, I searched for a deeper answer by talking to people whose livelihoods are to harvest it.

That afternoon, I was fortunate to meet P. Nallathamby, a supervisor of a 3500 acreage of salt pans staffed by 2000 workers. I caught them during their second shift of the day: they rise early and work from 6am to 9am, then return at 1pm to continue. Both women and men work the salt pans. Mr. Nallathamby has been in this line of work for 40 years, having joined his father and brother in the same at the age of 18. But things have been difficult in the salt business for around 8 years, owing to various reasons such as rising diesel prices, increased labour costs and neglect from the central government, which leases out the pans to individuals.

The harvest season runs from January to May. In January, the salt pans are like a lake owing to recent rains. It takes about a month to dry out, then the harvest begins. Every three days, the flats are scraped, as you can see in this video, and the photographs below.

The salt is collected in small mounds along the grids of the pans, then in the huge mounds that are visible from the highway. Water from the earth or sea is added to the pans as necessary, such as between April and May. The process is entirely water-dependent, but ironically, no work can take place during times of rain. The mounds of salt wait for the daily lorries that come to purchase and take them away to be traded not just in Tamil Nadu and Pondicherry but in Kerala, Andhra Pradesh and Karnataka too. You may be surprised to know that a whopping 110 kilograms of salt is sold for just 130 rupees (approximately USD$2).

Mr. Nallathamby describes his 40 years in this line of work as uneventful. Even the great tsunami of 2004 did not have a negative effect on this coastal business. For six or seven months every year, the salt pans thrive. After all, come rain or shine, it’s an ingredient the world cannot do without.

In Marakkanam, it is rock salt (which is not to be powdered) that is harvested. As you may remember from this recent summer-friendly recipe, rock salt contains many nutrients and works well as a digestive.

The salt pans of Marakkanam are quite amazing to behold: a contrast between grains so small and a landscape so large.

Every year, from the first harvest of the season, a small salt Ganesha is shaped by hand. He is then allowed to dissolve back into the salt pans. While it was the wrong time of year to witness this, my visit to Marakkanam did end with a quick stop at the 1000 year old Bhoomeeshwarar temple, dating to the Chola dynasty. I had been told that the temple’s inscriptions had mention of the salt trade in this area even a millennium ago. The priest said he didn’t think there was anything of that kind there, but sometimes we don’t know what’s right under our noses. Like salt, I suppose – that ubiquitous condiment we often only think about if it’s missing.

I’m not sure if salt was mentioned on them, but what struck me about the inscriptions all over the temple’s inner compound was this: how much the wear and tear of centuries on stone had made it look as though salt was on them. In between the chiselled spaces. In the air… and everywhere.

I had wondered about salt since childhood, that staple of every meal. My mother had taught me that in the precise quantity, it cooks vegetables faster. For years, on every long weekend drive to Pondicherry, I had watched the white salt mounds pass by and wondered about them too. Now, armed with my camera and my curiousity, I had discovered more. That indispensible ingredient comes from somewhere: the labour of people like Mr. Nallathamby and his staff. From those huge mounds that can be seen on the highway to the small pinch that is baked into our daily bread, how much we take for granted.